So I couldn't possibly let the new Muse album go by without reviewing it.
MUSE
The Resistance (2009)
1. Uprising
2. Resistance
3. Undisclosed Desires
4. United States of Eurasia / Collateral Damage
5. Guiding Light
6. Unnatural Selection
7. MK Ultra
8. I Belong to You / Mon Cœur S'ouvre a Ta Voix
9. Exogenesis: Symphony Part 1 (Overture)
10. Exogenesis: Symphony Part 2 (Cross-Pollination)
11. Exogenesis: Symphony Part 3 (Redemption)
I've heard from a couple people that
Uprising is a good song to start the album with. I agree. It's not a favorite but it's catchy in the Muse way. Not anyone can sing slowly and stretch out words AND make it sound good; Bellamy can do it. The song gets four stars out of five and will likely stay there. The roughness of the first track contrasts with the long soft intro of the second song,
Resistance. This is one of my favorites because it sort of contains a story within it and it's epic. The first signs of heavy classical instrumentals begins here with piano. And there's a certain abruptness to the chorus that surprised me the first time I heard it and now I really like it. This track gets five stars, as does the next one,
Undisclosed Desires. Bass heavy with
punctuated beats and a sprinkle of reverberation during the chorus. I'm probably drawn to the song because I'm a hopeless romantic and that's all I'll say.
United States of Eurasia has relatively elementary lyrics. Bellamy can sing abstract or unclear lyrics, but this song is pretty straight forward. These wars will never end. There are a couple parts with intense string, percussion, and piano combos which might eventually raise this track from three stars to four, if they really really grow on me. This is the first track that includes an unoriginal segment (35 seconds of a piece by Chopin). The next track is my least favorite and it is called
Guiding
Light. It's mostly slow. I don't really know what to say about it. I gave it three stars because there are certain moods during which I would like to listen to this track.
The next two tracks have potential for growth in my heart but are currently rated at three stars.
Unnatural Selection might possibly be one of several reasons that Glenn Beck loves this album. Perhaps he believes Muse is denouncing Darwin. Well, the way I see it Bellamy is referring to human society. Reviews don't go into details but listen to the lyrics because they're good. The most advanced Muse lyrics are sometimes indecipherable, and the decipherable are often not too advanced (like with track 4), but this maintains a good balance. Also, the song's beat varies along a wide range which is cool.
MK Ultra is one of the more abstract tracks, with lots of drums and guitar to give it energy. The second half of the song is a call to action, as are many of the more recent songs in Muse's repoitoire (starting with the album
Absolution). Both these tracks abandon the classical instruments and are reminiscient of earlier material.
I absolutely love
I Belong to You but I'm holding off on promoting it to five stars because it might just be an auditory fling. You know those songs that really sound good and a little sexy and have a melody but might not hold out for long in your heart? This might be one of those, only it's still really cool-sounding. Part of it is the hopeless romantic in me. One of my favorite parts of the song is when Bellamy almost uses the word "muse." They way he sings it is a clever way to avoid using the band's name in the song. He offers you the word but pulls it away with a string without any break in the melody's continuity. He does this continuous transition again after he inserts unoriginal material, this time almost a minute from Saint-Saens's opera
Samson and Delilah--rearranged by Bellamy.
The next three tracks are parts (think movements) of a symphony called
Exogenesis. All music within the symphony is original. The first part,
Overture, reminds me a little of the strings in the Expressionist German film
The Cabinet of Dr. Caligari. And also a little of the percussion in the N64 game
Perfect Dark. For a more Muse-centric reference, refer to
Ruled by Secrecy. Slow yet powerful. Ominous. Out there, questioning, but not alone. This
track gets three stars for now. Following is Part 2,
Cross-Pollination. It starts slow, taking you out of this world, and then the powerful urgency of being saved. Bellamy is inclined toward life forms beyond our planet, saying "You can rescue us all." Without similar beliefs one cannot relate to the song, but it's certainly enjoyable to listen to and quite epic, hence four stars. Finally we come to the last part,
Redemption. Once again, the first half of the three-star track is a melodic introduction that builds up to a plea, this time to start over. Such advice may be practical in some senses, but not universally doable. We cannot just "start over again," but the ending of this last track is moving for me anyway. "And we'll be good // This time we'll get it right // Last chance to forgive ourselves."
Ends: 12:31AM